With the subsiding of the Second Anglo-Boer War, the Pierneef family returned from Holland to South Africa. (Read about Pierneef’s intriguingly formative years here.)
Whilst the 18 year old Pierneef had firmly set his sights and heart on studying architecture at university, the financial upheaval of returning from Europe and the unexpectedly exhorbitant resettling costs paralysed his father financially, and Pierneef was forced to take up work.
Pierneef’s godfather was none other than the acclaimed sculptor, Anton van Wouw – who had, like his godson, studied fine art at the Rotterdam Art Academy. The well-connected van Wouw was determined to see Pierneef succeed as an established artist, and lent him his whole-hearted support, knowledge and connections. And with this specialised support and his trademark tenacity, Pierneef made his impressive first mark on the South African art world in a group exhibition alongside his godfather and Hugo Naude.

Photographs of Anton van Wouw and Shangaan sculpture

Van Wouw organised for Pierneef to study under the brilliant Frans Oerder, a friend and colleague. Following his three years under Oerder, the Irish artist, George Smithard taught Pierneef the printmaking disciplines of wood engraving and etching – and imbuing him with a rich understanding of graphic design.
And so, with his richly diverse art education,  immense skill-set and undeniable natural talent, Pierneef built upon this foundation a career which has earned him worldwide acclaim and continued attention.
READ MORE next time about how his fine art career unfolded across the decades, encountering everything from petty jealousy to global applause!
 (SUBSCRIBE here so you don’t miss it!)